Brian Davis Cymbidiums In Love
Status: In Stock Available | Condition: New | Edition:Limited Edition | Edition Size: Limited Edition of 295 | Dim:12 ½ x 43 | Brian Davis| Item #: CEA363
Price: $ 1,395.00 USD..
9/16/2025 $465.00 1st payment
10/16/2025 $465.00 2nd payment
11/15/2025 $465.00 3rd & final payment
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Art Terminologies
Giclée - A computerized reproduction technique in which the image and topography are generated from a digital file and printed by a special ink jet printer, using ink, acrylic or oil paints. Giclée printing offers one of the highest degree of accuracy and richness of color available in any reproduction techniques
Lithography - Printing technique using a planographic process in which prints are pulled on a special press from a flat stone or metal surface that has been chemically sensitized so that ink sticks only to the design areas and is repelled by the non-image areas. Lithography was invented in 1798 in Germany by Alois Senefelder.
Serigraphy (Silk-screen) - A printing technique that makes use of a squeegee to force ink directly onto a piece of paper or canvas through a stencil creating an image on a screen of silk or other fine fabric with an impermeable substance. Serigraphy differs from most other printing in that its color areas are paint films rather than printing ink stains.
Remarque – Additional enhancements by the artist on some or all of the final prints within an edition
Artist's Proof (AP) - Print intended for the artist's personal use. It is common practice to reserve approximately ten percent of an edition as artist's proofs, although this figure can be higher. The artist's proof is sometimes referred to by its French épreuve d'artist (abbreviation E.A.). Artist's proofs can be distinguished by the abbreviation AP or E.A., commonly on the lower left of the work.
“Gallery wrapped” is a way of finishing a canvas artwork so it’s ready to hang without needing an additional frame. The canvas is stretched tightly over thick wooden stretcher bars, and the edges of the canvas are wrapped around the sides and stapled on the back.
Stretched - When a canvas is described as stretched, it means the artwork has been pulled tightly over a wooden frame (called stretcher bars) and secured on the back. This process keeps the canvas flat and smooth, ready to hang on the wall or to be placed inside an outer frame.
Hand Embellished - When an artwork is hand embellished, the artist (or a skilled studio artisan) personally adds paint, texture, or other details by hand on top of the printed or finished piece. This gives each artwork unique highlights and depth, making no two pieces exactly alike — even within the same edition.
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Status: In Stock Available
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Brian Davis Cymbidiums In Love is eligible for 3 equal layaway payments in store, with a credit card of $465.00 made every 30 days over a period of three months. US & Canada orders only.
Brian Davis is a renowned floral artist, known for his exquisite and lifelike flower paintings that capture the delicate beauty of nature. His botanical fine art showcases luminous floral compositions painted with remarkable detail and vibrant color. Specializing in contemporary realism, Davis brings a sense of elegance and serenity to his still life artwork, making his oil paintings and collectible floral prints highly sought after by art collectors and nature lovers alike.
Cymbidiums in Love - CEA363
NOTES: MEDIUM: GICLEE ON CANVAS.
Cymbidiums In Love by Brian Davis is signed by the artist and comes with a certificate of authenticity.
image Copyright © 2025 by Brian Davis
Brian Davis bio
The old adage, "Art imitates life", could not be a more true description of how profound and true Brian Davis work is. Known for his special attention to light and detail, Mr. Davis primary subjects are florals and landscapes. Born in California in 1946, Brian Davis was raised by musician parents to appreciate all things artistic, and true to his upbringing he has always loved painting. Art is his passion. It is the muse with which he creates his colorful true to life florals. Although magnificent flowers and landscapes are the main choice for his compositions, Mr. Davis explains, "The actual job of making an arresting piece of art has nothing to do with what the thing is." Mr. Davis transforms exquisite blossoms like roses, calla lilies, and dahlias into romantic, compelling images with sharpness, color, movement, edge and light. Before he begins his masterpieces, Mr. Davis spends extensive time researching and scouting for a flower or scene that catches his eye. He carries a camera everywhere so he can shoot a subject at any moment. Since flowers wilt so quickly, and it can take weeks to complete a painting, he has found a way to create a floral image from a series of different shots for each flower. He may not do an exact botanical rendering and changes colors and leaves at will. Mr. Davis believes that the depth in his art is derived from paying attention to the subtle shifts in value - relative dark and light. He is often asked if there is a light source behind his paintings. "The light is the real subject of my work. The flower is the stage state, the light is the dancer." Using two hanging mirrors to view the unfinished painting at all angles, he works daily in his studio surrounded by books, music, and historical videos. Mr. Davis is a true artist with vast understanding and knowledge of art. "My art, like all art, is at its core a form of communication that is not easily translated into words - good art transcends words." It is his hope that viewers look at his works and respond, for then they are hearing his voice, understanding his concept of what is worth creating. His paintings are a fascinating group of images that allow the viewer to feel and recognize the nature of light - the essence of a Brian Davis painting. One of the greatest achievements in Mr. Davis career has been his commissioned work for The Huntington Library Art Collections and Botanical Gardens. Over the last 20 years, the floral painting expert has created seven pieces that have been used as posters to commemorate different exhibitions at The Huntington. His seventh piece, "Captivating Cattleya" was most recently used in October 2005 for the "Orchids: A Natural Obsession" exhibit. Mr. Davis work can be found in the permanent collection of The Huntington Library, The Los Angeles County Museum of Art, and the New York Botanical Garden.
