Sally Caldwell Fisher Art Gallery
Gallery updated on Wednesday, June 24, 2026
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I was born in 1951, in Philadelphia. My sisters and brothers and I grew up in Birmingham , Michigan. Our mother was a gifted watercolorist who never had the time to pursue her own creative passion. She transferred those desires to my sister and me, who took them up almost dutifully. Our mother provided us with good materials, for which I will always thank her, as some of the real magic of painting is released through the alchemy of paint and surface.
Over the years, my style has evolved consistently, as I have evolved. Change and openness are essential to the creative spirit. I can never adequately describe my art , as it defies easy categorization. Much of it has reflected coastal New England life with an emphasis on the marine. My children were brought up in a Maine fishing village out of which my husband ran a boat fishing for lobster, bluefin tuna, urchins, and other exotic and magical creatures of the deep. All the time spent on the water has deeply affected my work.
My experiences in the world of art publication led me to branch out and explore the world of the narrative as inspired by old photographs. This offers a rich and limitless vein of possibility. I never tire of probing into the past for inspiration. I also started to create art for events, such as the America s Cup races, the Wooden Boat Shows, various parades and festivals, even the Monte Carlo Circus. My love for the artless self-composition of interacting figures and human body language have always led a light-hearted humor to the paintings, which have sometimes been called "naïve." The word "naïve" has always troubled me because I do not feel naïve. I often feel pretty cynical and let down. But I do feel a genuine affection for the people I invite into the paintings, people who are simply part of the composition, going about their business unawares, as if in snapshots.
Now, in midlife, I have experienced quite a bit of loss and change. So much so that it would be disingenuous not to change in my art .. I am returning more to landscape out of love for the beauty of the world around me. The human presence is, of course, always implied at the very least. I desire to be a strong unseen presence, involved in the scene before me. Still, never far from the whimsical, I love to paint animals and objects and people. I am more interested in being eclectic than in being easily categorized. I am no classical artist. I am a painter whose work is her greatest source of well-being.
Over the years, my style has evolved consistently, as I have evolved. Change and openness are essential to the creative spirit. I can never adequately describe my art , as it defies easy categorization. Much of it has reflected coastal New England life with an emphasis on the marine. My children were brought up in a Maine fishing village out of which my husband ran a boat fishing for lobster, bluefin tuna, urchins, and other exotic and magical creatures of the deep. All the time spent on the water has deeply affected my work.
My experiences in the world of art publication led me to branch out and explore the world of the narrative as inspired by old photographs. This offers a rich and limitless vein of possibility. I never tire of probing into the past for inspiration. I also started to create art for events, such as the America s Cup races, the Wooden Boat Shows, various parades and festivals, even the Monte Carlo Circus. My love for the artless self-composition of interacting figures and human body language have always led a light-hearted humor to the paintings, which have sometimes been called "naïve." The word "naïve" has always troubled me because I do not feel naïve. I often feel pretty cynical and let down. But I do feel a genuine affection for the people I invite into the paintings, people who are simply part of the composition, going about their business unawares, as if in snapshots.
Now, in midlife, I have experienced quite a bit of loss and change. So much so that it would be disingenuous not to change in my art .. I am returning more to landscape out of love for the beauty of the world around me. The human presence is, of course, always implied at the very least. I desire to be a strong unseen presence, involved in the scene before me. Still, never far from the whimsical, I love to paint animals and objects and people. I am more interested in being eclectic than in being easily categorized. I am no classical artist. I am a painter whose work is her greatest source of well-being.
Sally Caldwell Fisher Current Portfolio
Far Away Sails
Courageous Captains of the Ocean Club
Candle Walk Deluxe
Recess
Monte Carlo Cirque Deluxe
Spring In The Public Garden
Island Welcome Deluxe
A Day at the Races
Island in Bloom
Pemaquid Light
Springfield Chamber Music Society in Light Air
Rusticators Watching the Sunset
Island Welcome
Balloons, Balloons Deluxe
Painting Class
Ocean Club Sea Festival Deluxe
Concert on the Green
Early Catch
Rusticators at the Close of Day
Concert on the Green Deluxe
Blown Off Course
Regatta Day
The Dog Show
Rusticators at Teatime
The Lookout
City People
Ocean Club Sea Festival
Swans Harbor
Green Island Ferry
Brighton Pier
Daily Chores
Dreaming
Candle Walk
To the Bride
Monte Carlo Cirque
Midsummers Eve
A Day at the Races Deluxe
Decorating the Wharf
Balloons, Balloons
Portland Head Lighthouse,