Fanny Brennan's innovative approach to painting is immediately clear in the small size of her work, which never exceeds a few inches square. These tiny pictures are filled with humor and, in meticulous detail, present playful images of a mythical world that exists only in her imagination.
As an American student in Paris, Fanny was an independent soul. "At the Atelier Art et Jeunesse," she says, they were always trying to get me to fill the entire page of drawing paper. I only wanted to make very, very small pictures." Defying the fashion of the day, she refused to wear a hat and probably spent too much time at the Cafe de Flore, where she taught Picasso to play Chinese Checkers and rubbed peanut shells into Giacometti's hair. She was asked to leave her all-girl boarding house after calling the ornery concierge a "cow."
Since then, Fanny has painted more than 300 images on small gessoed composition boardsóeach one usually taking one month to complete. A charter member of "Who's Who in American Art" her originals have been exhibited in galleries across the USA. She has also received awards from Time Inc., The Art Directors Club and the Museum of Modern Art. Each of these lithographs is made in the traditional manner with all color plates created by hand.