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Judy Larson AND THEN THERE WERE NONE Lithograph



      


Judy Larson AND THEN THERE WERE NONE  Lithograph Judy Larson

Status: Available | Condition: New | Edition:Limited Edition Lithograph | Edition Size: Limited Edition of 2500 | Dim:14 1/2 x 25 | Judy Larson| Item #: JL00008

Price: $ 235.00 USD      

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Judy Larson AND THEN THERE WERE NONE  Lithograph is eligible for layaway in 3 equal payments of $78.33 over 60 days.

Layaway Option Schedule

11/22/2017  $78.33 1st payment
12/22/2017  $78.33 2nd payment
1/21/2018  $78.33 3rd & final payment

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Available for purchase today, November  22, 2017

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AND THEN THERE WERE NONELithograph

NOTES: Now unattended, but bonded forever by their heritage, a small band of Indian horses find company and solace in each other. Although unspoken, their groupings pay homage to kinder days and to the one who once possessed them, the last of his tribe.

AND THEN THERE WERE NONELithograph by Judy Larson is a Limited Edition production signed by the Artist. Comes with a Certificate of Authenticity which affirms that this is an authentic Limited Edition production from  Judy Larson. This Limited Edition is Signed and Numbered by the artist.

Judy Larson bio

Judy Larson always knew she was going to be an artist. She was surrounded by them as a child, and was particularly inspired by her father, a professional illustrator. Judy received a Bachelor of Science degree in Commercial Art from Pacific Union College in Northern California, then spent the next 17 years as a commercial artist, illustrator and art director. In 1988, influenced by her love of nature and animals, Judy devoted her time to wildlife art. Her primary focus in each of her paintings is the animal, with the horse as a recurring subject. Her unique approach to her work is through the use of scratch board--a technique that can render magnificent detail but one requiring infinite patience. Scratch board, an old, but little used medium, consists of a smooth, thin surface of hardened China clay applied to a board. The subject is then painted solidly with black India ink to create a silhouette. Now the exacting work begins, engraving the image into the surface of the artwork. While many artists use steel nibs or engraving tools, Judy prefers to work with X-acto blades, changing them ever few minutes to produce as fine a line as possible. Once the subject has been totally scratched, it is a finished black and white illustration, ready for the artist to add color. The methods of adding color are diverse. Judy prefers a combination of airbrush, gouache or acrylics for finishing, with frequent rescratching for detail. Scratch board is a demanding medium, one that Judy has used masterfully in developing her unique approach to wildlife art.