| Condition:New Unframed Art | Edition:Limited Edition | Edition Size: Limited Edition of 50 | Dim:33 x 15 | Daniel Smith | Item #: gwgone
Daniel Smith Gone Fishing Limited Edition Canvas
is eligible for layaway in 3 equal payments of $198.33 over 60 days.
3/8/2014 $198.33 1st payment
4/7/2014 $198.33 2nd payment
5/7/2014 $198.33 3rd & final payment
payments are automatically deducted from your credit card.
Available for purchase as of: March 8, 2014
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Gone Fishing LIMITED EDITION CANVAS
NOTES: Gone Fishing was inspired by a friendís photo of brown bears taken in Katmai Park, Alaska, says artist Daniel Smith.The cubs are quite small so this would be in spring to early summer. These little guys will stay with their mother for almost two years and wonít reach their full size for another four years. Even the most hardened city-dweller knows about the bond between a mother bear and her cubs. The motherís extreme protective instincts arenít unfounded, especially concerning large boars, which will attack and kill cubs. She may be swimming ahead right now but her ears are cocked, listening for the paddles and grunts from the swimmers just behind her. Getting accustomed to water is not just play time for the young cubs. From late-August to mid-September, the sockeye salmon are spawning in the Brooks River at Katmai National Park and the bears are in and around the water eating fish for weeks, putting on the pounds and fat in preparation for November hibernation.
Collectors know that no one paints wildlife in water the way Daniel Smith does. A master of both his subject and his craft, his art is an essential part of any wildlife art collection.
Gone Fishing Limited Edition Canvas , by Daniel Smith Is a Limited Edition production signed by the Artist. Comes with a Certificate of Authenticity which affirms that this Art Work is an authentic Limited Edition production from Daniel Smith
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Daniel Smith bio
Painter Daniel Smith, who is equal parts hermit, aesthete, and explorer of the outback, has never thought of himself as being a visual provocateur.
Who could have thought that classical wildlife art would one day be considered simultaneously accessible and avant-garde? Who would have guessed that images of animals would loom large as perhaps the most potent icons of our time?
Animals are telltale totems, not only of the past, but of a yet uncertain future. The opening of the one-man exhibition, "Animal Magnetism: The Wildlife Art of Daniel Smith" at the Eiteljorg Museum of American Indians and Western Art in 2008 was validation of Smith's growing stature in this unique and provocative artistic genre. "In my opinion, Dan Smith is truly one of America's great wildlife painters," says John Geraghty, board member of the Autry Museum of the American West in Los Angeles and a prominent art collector.
Over the last decade, Smith's original pieces have been exhibited at, or become part of permanent collections at the Eiteljorg, the Autry, the National Cowboy & Western Heritage Museum, the National Museum of Wildlife Art, the Hiram Blauvelt Art Museum, the Leigh Yawkey Woodson Art Museum, The Bennington Center for the Arts, The Wildlife Experience, The Leanin Tree Museum of Western Art and the Ella Sharp Museum of Art and History.
Today, Smith and his wife, Liz, the parents of three