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Giuseppe Armani Beauty And The Beast Disneyana Convention Hand Signed Artist Proof 



      




Giuseppe Armani Beauty And The Beast Disneyana Convention Hand Signed Artist Proof    543C.

Status: Only 1 Available | Condition:In Original Packaging | Edition:Artist Proof  | Edition Size: N/A | Dim:11.50H x 10W | Giuseppe Armani| Item #: 543C.

Price:$4,295.00

Giuseppe Armani Beauty And The Beast Disneyana Convention Hand Signed Artist Proof   is eligible for layaway in 3 equal payments of $1,431.67 over 60 days.
9/18/2014  $1,431.67 1st payment
10/18/2014  $1,431.67 2nd payment
11/17/2014  $1,431.67 3rd & final payment
payments are automatically deducted from your credit card.

Available for purchase today, September  18, 2014

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As an option you may also pay for Giuseppe Armani Beauty And The Beast Disneyana Convention Hand Signed Artist Proof   using Paypal, or Amazon Payments. Please note that all orders must be delivered to a physical address verified by Paypal or Amazon. This PayPal/Amazon option is not applicable for orders to be delivered to Military or International destinations.

Beauty and the Beast Disneyana Convention Hand Signed Artist Proof  

NOTES: This poignant sculpture was sold at the 1995 Disneyana Convention. Intricately detailed, this figurine features Belle - the Beauty - holding the hand of the Beast - before he is transformed into her Prince because of the love they share for each other.

Beauty And The Beast Disneyana Convention Hand Signed Artist Proof   by Giuseppe Armani is a Limited Edition production by the Artist. Comes with a Certificate of Authenticity which affirms that this is an authentic Limited Edition production from Giuseppe Armani.

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Giuseppe Armani bio

Giuseppe Armani was born in Calci, Italy, in 1935. From the moment young 'Bebe' could pick up a pencil, he drew. He drew everything he saw. He drew everyone he knew. He drew all day long. Armani's parents were amazed at Giuseppe's prodigious output and they recognized that their little boy's sketches were more than just the whimsical drawings of most children. Uncanny realism and attention to detail revealed Giuseppe's true talent. He had The Gift. Giuseppe's teachers decided that Armani should attend the Academy of Fine Arts in Florence. Unfortunately, as the arrangements were being made, his father died unexpectedly. The family needed Giuseppe now. Art school was forgotten. But the Art was not. Giuseppe Armani's natural talent was finally recognized when a local priest organized an exhibition of young artists; Giuseppe entered a sculpture of a classically inspired male torso. The work was greatly admired for its extraordinary anatomical precision. When the torso was taken to the Art Gallery in Pisa -- located across the street from the famous Leaning Tower -- Giuseppe Armani's talent was rewarded with the offer of a permanent job there. In Pisa, Armani's dream of studying art was finally realized. He immersed himself in the great masterpieces of the Renaissance that he had only read about in books. He travelled to Siena and Florence and began to hone his personal style; Giuseppe drew heavily on the style of 16th Century Florentine Renaissance. Sculpture, Armani realized, allowed him to work in three dimensions. He infused life, character and even soul into his works. Giuseppe experimented in wood, clay, alabaster and marble and his reputation grew with each breathtaking creation. Art admirers soon started flocking to the gallery to see Armani's latest efforts. In 1975, the Florence Sculture d'Arte, recognizing Armani's genius, offered him the opportunity to work exclusively for them. He would be encouraged to give free rein to his artistic muse. Giuseppe Armani accepted. For more than 20 years Armani has created masterpieces ranging from traditional Capodimonte style to more daring, contemporary, sometimes whimsical sculptures. Always, Giuseppe infused his figurines with breathtaking realism -- with a spark of life. This continues to amaze even his many admirers the world over. Giuseppe Armani describes his credo this way: "Although I consider myself a direct descendant of the Renaissance heritage, I believe that an artist has to follow his own evolution and not solely be a ruminant of the past, as glorious as it may have been. An artist conducts a search that may lead him far out in exploring new areas of interest. I continually search to discover new and better means of expression.