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Alex Ross Disney Once There Was a Princess From Beauty and The Beast Giclee On Canvas
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Alex Ross Disney Once There Was a Princess From Beauty and The Beast Giclee On Canvas Alex Ross Disney


Status: In Stock Available | Condition: New | Edition:Limited Edition Giclee On Canvas | Edition Size: Limited Edition of 195 | Dim:30 X 20 | Alex Ross Disney| Item #: CERONCE


Price: $ 995.00 USD..
or 3 equal layaway payments in store, with a credit card of $331.67 over 60 days.

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Alex Ross Disney Once There Was a Princess From Beauty and The Beast  Giclee On Canvas is eligible for 3 equal layaway payments in store, with a credit card of $331.67 over 60 days.

Layaway Available In Store Option Schedule
4/16/2024  $331.67 1st payment
5/16/2024  $331.67 2nd payment
6/15/2024  $331.67 3rd & final payment
payments are automatically deducted from your credit card.

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Available for purchase today, April  16, 2024
No Sales Tax Except In The State Of Florida.



As an option you may also pay for Alex Ross Disney Once There Was a Princess From Beauty and The Beast  Giclee On Canvas using Paypal or with your Amazon Account(*select items). Please note that all orders must be delivered to a physical address verified by Paypal or Amazon. .

Once There Was a Princess - CERONCE

NOTES: Once There Was a Princess "When I approached Snow White I had an idea for a while, percolating... I wanted to get this striking, very brown toned kind of piece that would feel, in a way, a little old in some capacity. In fact, it"s one of my [Norman] Rockwell homages because [Rockwell] did a lot of portraits where you would have this sort of [profile view] of the faces where the characters were all sort of looking on [into the distance]. So, I knew I was going to be taking advantage of that influence.".

Once There Was a Princess From Beauty and The Beast  Giclee On Canvas by Alex Ross Disney  is signed by the artist and comes with a certificate of authenticity.

image Copyright © 2024 by Alex Ross Disney

Alex Ross Disney bio

Born in Portland, Oregon, and raised in Lubbock, Texas, Alex made his artistic debut at three when, according to his mother, he grabbed a piece of paper and drew the contents of a television commercial he'd seen moments before. By age 13 he was scripting and drawing original comic books. Ten years later? He was hired by Marvel Comics to illustrate Marvel's central characters in the comic book event, Marvels (1994). Having established himself creatively and financially with superhero projects, Ross turned to the real world with Uncle Sam, a 96-page story that took a hard look at the dark side of American history. Like Marvels, the individual issues of Uncle Sam were collected into a single volume - first in hardcover, then in paperback - and remain in print today. Ross would eventually go on to win the Comic Buyer's Guide Award for Favorite Painter. He won so many times that the award was officially retired. Alex's work has celebrated the 60th anniversaries of Superman, Batman, Captain Marvel and Wonder Woman with fully painted, tabloid-sized books, depicting each of these characters using their powers to inspire humanity as well as help them. In recent years, Ross has applied his artistic skills to outside projects with comic book roots, including a limited-edition promotional poster for the Academy Awards, as well as becoming the first artist in over 30 years to be commissioned by Apple Corp. LTD to paint the Beatles. Having positioned his artwork squarely in center of Pop culture, it should be no surprise to see that Alex is now turning his attention toward beloved Disney characters. Having often been referred to as the Norman Rockwell of comics, Alex’s expert style and classical sensibilities combine wonderfully with the spirit of Disney Fine Art, creating breathtaking works that are sure to delight fans of all ages. β€œIn a way, [approaching] the Disney characters is a new revelation for me to realize that I do have a connection-- I do have something I can offer and I have a passion for it. Of course, I grew up with a lot of these films and I’m not going to cross certain lines [creativity]. I want to be respectful of the integrity of these characters and mostly I want to connect with that classic thing.”

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